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The Nimrod Flipout: Stories, by Etgar Keret, Institute for Translation of Hebrew Literature
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From Israel's most popular and acclaimed young writer―"Stories that are short, strange, funny, deceptively casual in tone and affect, stories that sound like a joke but aren't" (Yann Martel, author of Life of Pi)
Already featured on This American Life and Selected Shorts and in Zoetrope: All Story and L.A. Weekly, these short stories include a man who finds equal pleasure in his beautiful girlfriend and the fat, soccer-loving lout she turns into after dark; shrinking parents; a case of impotence cured by a pet terrier; and a pessimistic Middle Eastern talking fish. A bestseller in Israel, The Nimrod Flipout is an extraordinary collection from the preeminent Israeli writer of his generation.
- Sales Rank: #247649 in Books
- Brand: Keret, Etgar/ Shlesinger, Miriam (TRN)/ Silverston, Sondra (TRN)
- Published on: 2006-04-04
- Released on: 2006-04-04
- Original language: English
- Number of items: 1
- Dimensions: 8.29" h x .54" w x 5.50" l,
- Binding: Paperback
- 167 pages
- Etgar Keret
- Middle Eastern
- short stories
From Publishers Weekly
Keret, an Israeli writer who also writes children's books and collaborates with illustrators on graphic stories and novels, specializes in brainteasing short short stories reminiscent of the "Shouts and Murmurs" section of the New Yorker—30 are packed in this thin volume. A typical Keret situation is enacted in "Your Man": the narrator finds that his girlfriends inexplicably break up with him in the back of taxicabs while the radio always announces a caller from a certain address. He goes to the address, finds photos of his exes tacked to the wall and erupts in violence, with repercussions that give new meaning to masochism. Dogs play a role in Keret's stories similar to the sly role they assume in Thurber cartoons, hovering between the fantastic and the everyday, and sex is an obsession ("Actually, I've Had Some Phenomenal Hardons Lately" is one story's title.) In "Fatso," a man's girlfriend confides a secret: she turns into a rotund male at night. Like French surrealist Marcel Aymé, Keret keeps his stories one dimensional, but it's a dimension he has mastered, one that peels away the borderlines of normalcy. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Once you know that Keret's work has been featured on NPR's This American Life and Selected Shorts, it becomes hard to think of these 30 pieces as short stories. The adenoidal 35--going-on-13 tones of the former program's host grate in the mind like the voices of Woody Allen, Shelley Berman, and other ur-stand-ups, and the veil is parted. These aren't stories, they're routines! They're mostly told in the third person by the same kind of guys (once, gal) as the protagonists: schlemiels, though the singles among them are also slackers.^B They're modern young Israelis fixated on sex, unable to make lasting connections, frustrated to quiet madness, and feckless as . . . a stand-up's persona. Most of their stories are could-be realistic, a few are ultimately sentimental, and the best are arguably the fantasies, such as the volume opener, whose protagonist has a girlfriend ("the sex is dynamite") who becomes a fat, hairy, party-animal guy at night, and is still as much fun to be with. Vulgar, sad-sacky stuff, but amusing. Ray Olson
Copyright © American Library Association. All rights reserved
Review
“His enchantingly witty stories suggest that a keen intelligence can still flourish even when the air is full of flying metal ... Our best chance is that Etgar Keret will become a craze, a craze for sanity.” ―Clive James
“The best work of literature to come out of Israel in the last five thousand years--better than Leviticus and nearly as funny. Each page is a cut and polished gem. Do yourself a favor, walk over to the counter and buy this book now.” ―Gary Shteyngart, author of THE RUSSIAN DEBUTANTE'S HANDBOOK
“Stories that are short, strange, funny, deceptively casual in tone and effect, stories that sound like a joke but aren't--Etgar Keret is a writer to be taken seriously.” ―Yann Martel, author of THE LIFE OF PI
“Keret's short stories are filled with antiheroes. There are no brave Maccabees, no swashbuckling warriors. Instead, his sketches dramatize the mundane details of daily life. "When you wake up in the morning," he says, "before you've had your first cup of coffee, what you think about is not, Why isn't there a Palestinian state? You say, 'Why doesn't my girlfriend love me?' Or 'I hope somebody didn't steal my car.' "
Stories can be dreams, of a sort, and Keret's seem to promise that there is more to life than Merkava tanks and suicide killers, more even than nanotech or IPOs. His quirky collections--which have sold more than 200,000 copies in Israel--offer a glimpse into the Israeli subconscious. They satisfy jumbled, humble hopes--not the high-blown fantasies of the original frontiersmen.” ―Kevin Peraino, Newsweek
“Etgar Keret's short stories are fierce, funny, full of energy and insight, and at the same time they are often deep, tragic, and very moving.” ―Amos Oz, author of A Tale of Love and Darkness
“To try to describe Keret's work in fewer words than the work itself is a project perverse, paradoxical, modern, and strange--in short, it is like an Etgar Keret story, except not as funny and not as interesting. So I ask you to open the book and read.” ―Neal Stephenson, author of Cryptonomicon
“Etgar Keret is the voice of young Israel . . . [His] stories still seemed to deal with all the important things, friendship, sadness, fear . . . Unlike anything else the country [is] producing.” ―Linda Grant, The Independent
Most helpful customer reviews
0 of 0 people found the following review helpful.
Quirky Humor
By Valerie P.
The stories are very funny, but they start to get a little overwhelming when I read several of them in a row; the quirkiness can be a bit much all at once.
27 of 29 people found the following review helpful.
When he's good, he's good . . .
By KH1
There are many fantastic short stories in this collection, _The Nimrod Flipout_, by Israeli author Etgar Keret. There are also many that are reminiscent of first drafts from a night-school creative writing class. When he's good, Keret is a fantastic new talent, full of humor and existential angst, but when he's not - he's trite, cliche, and boring - one more young guy writing about getting stoned and laid.
The titular story "The Nimrod Flipout", is one of the best in the entire collection. Three young men are possessed, in turn, by the spirit of their friend, Nimrod, who killed himself after his girlfriend broke up with him. [Variety is also not Keret's strong suit. There are at least two other stories where someone kills themselves because they've been dumped.] After the narrator, the last to succumb to the spirit of his deceased friend, the possession repeats itself starting over again with Miron, the first to be possessed. It's a touching story about the frivolity of youth, and deeply tragic, as well; its also one of the funniest stories in the collection.
"Fatso", the opening story, I also loved. It is about a guy whose girlfriend turns into a fat, drunk, soccer-loving man after the sun goes down, and how, after spending many nights going out and watching soccer at the bar with this character, he begins to love his girlfriend, too.
This collection has its shining moments, and is highly recommended to fans of short fiction. However, don't be surprised if some of the stories dissapoint.
22 of 26 people found the following review helpful.
so-so
By concerned reader
Some of these stories are brilliant, first round knockouts. Others are shtick-yawns. The best are like the wondrous short-short stories of Spencer Holst. The worst are whines from the slacker you'd never listen to for five minutes if you bumped into them at a bar. Buy the book for the wonderful, but expect a very mixed bag.
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